The new Sigma AF Cine 28–105mm T3 FF, the second entry in the company’s autofocus cinema lens line, allows filmmakers to integrate autofocus (AF) into their workflows without compromising the mechanical precision or optical character they expect from true cinema glass.
Advanced Optical Design with True Cinema Rendering
The 28–105mm T3 FF Cine lens utilizes an optical system that is derived from Sigma’s acclaimed Sigma 28–105mm f/2.8 DG DN Art still lens, offering exceptional resolution, consistent sharpness across the frame, and beautifully controlled bokeh.
View Sigma AF Cine 28–105mm T3 FF Pricing and Availability
It also delivers a clean, modern image with impressively low flare and ghosting, no matter the focal length or focus distance. That level of optical consistency is a real asset for productions that demand versatility, from commercials and docu‑style shoots to fast‑paced, action‑driven work.
Cinema‑Grade Mechanics Built for Real Production Environments
On a fast‑moving set, whether you’re coordinating a full crew, rigging for gimbal shots, or jumping between handheld and tripod setups, precision matters. Built from the ground up for true cinema workflows, Sigma’s AF Cine 28–105mm T3 FF delivers exactly that, offering:
- A limited‑rotation focus ring optimized for controlled manual pulls
- Industry‑standard 0.8M pitch gears for seamless integration with follow‑focus systems
- A clickless aperture ring for smooth, silent exposure adjustments
Autofocus That’s Actually Production‑Ready
The standout feature, is of course, the AF system. Powered by Sigma’s HLA (High‑response Linear Actuator), the lens delivers near‑silent operation while offering exceptional tracking performance.
Whether you’re tracking fast-moving subjects, pulling bold focus shifts on a gimbal, or chasing spontaneous documentary moments, this lens delivers smooth, reliable performance without hunting or hesitation.
Finally, the AF Cine 28–105mm T3 FF isn’t just another addition to Sigma’s lineup, it’s a clear statement that autofocus has earned its place as a dependable, professional‑grade tool for modern cinematographers.